One Material, Big Impact: How FSC Wood Supports Sustainable Design

As climate change reshapes the way we live—prompting thoughtful changes both big and small to support sustainability—the design profession must evolve as a key player in reducing waste, deforestation, and other drivers of global warming. One critical lever designers can pull is material selection. In this episode, we’re focusing on FSC-certified wood—a single material choice that can make a significant difference.

Joining us from BWBR are President and CEO Terri Ulrick, Senior Specifications Writer Renee Wells, and Sustainability Specialist Rasa Zeltina to discuss what FSC wood is, why it matters, and how designers can meaningfully incorporate it into their projects to support sustainability and social responsibility.

What is FSC Certification?

FSC stands for Forest Stewardship Council, a nonprofit founded in the 1990s to promote responsible forest management. The organization’s work supports more than just the trees—it’s about protecting ecosystems, supporting communities, and creating accountability across the supply chain.

As far as certification goes, “there are three certifications that are available: 100% certified materials, recycled materials, and a mix—the mixture is a combination of FSC-certified materials, recycled materials, and FSC control materials,” Renee explains. “I think of it as good, better, and best kinds of levels.”

With how frequently wood products are used in projects—floors, walls, ceilings, infrastructure, and beyond—specifying FSC wood can make a huge impact. “It means the materials we’re using are helping protect ecosystems, supporting fair labor practices, and reducing the overall carbon footprint of our work,” says Terri.

Balancing Cost, Supply, and Sustainability

Sustainable materials can carry the stigma of being unaffordable for many projects. However, the team offers their perspectives on design that is both budget-friendly and eco-friendly.

“Currently, our research shows that there could be a 15 to 20 percent increase in wood product costs,” Renee says. While that may sound substantial, she points out that cost increase is small in the grand scheme of large projects. “I looked at a recent $25 million dollar project we did, and the wood framing on that was $75,000. So, if you take a 15 to 20 percent increase, you’re looking at a $11,000 to $15,000 increase on a $25 million dollar project—which is a drop in the bucket to improve a product.”

The team explains that a black and white approach isn’t necessary—these choices can and should fall in the gray. “Progress, not perfection,” Rasa says.  “Maybe a project can pursue FSC-certified wood for only four doors or for wall panels. You can do what works with your budget and your schedule.”

Renee mentions that aside from cost impacts, supply chain can also yield schedule impacts. Because not all millwork fabricators stock FSC-certified wood, it can take longer to order and receive materials. By working closely with the owner and contractor, “we increase our likelihood of achieving these sustainable strategies through coordinating and planning,” she says.

Product into Practice

For designers looking to incorporate FSC wood in their projects, Renee says that “communicating the sustainability goals to your specification writer is an important start” to navigating the large variety of products and possibilities.

While the benefits of using these products are significant, Rasa says it’s important to be aware of added complexity when specifying FSC. “First of all, a wood manufacturer has to be authorized to use FSC-certified products, so you have to make sure that you’re working with the correct manufacturers who have the ability to use FSC,” she explains. “And then there are other items as well, such as a chain of custody documentation, which means that FSC wood is tracked at every point along its journey from the forest to the finished product site. That requires accountability and paperwork as well.” She stresses that these additional steps are very doable, but critical to understand and address.

Terri shares the importance of communicating the impact with clients who may not be familiar with FSC products. “Specifying FSC-certified wood is about trust and impact,” she says. “We can tell our clients with confidence that their projects are contributing to healthier forests and healthier communities, and we know that those decisions, multiplied across many projects, add up to real change.”

Plus, Rasa adds that sustainability is increasingly important to the people that organizations serve: “In this day and age, consumers and people more than ever want to be aligned values-wise with where they go to school, where they work, or who they are working with.”

The Bottom Line

Throughout the conversation, one theme comes through clearly: FSC products are good for designers, fabricators, manufacturers, and organizations across all market sectors—because they’re good for the environment.

“FSC is really about doing the right thing for communities and the environment. That is immeasurable,” Renee says. “We have to protect these resources—we’re at a critical point and have been for a while. As architects, we need to push this.”

At BWBR, that commitment extends beyond individual projects. “For us at BWBR, it’s not just about checking a sustainability box. It’s about aligning with the larger commitments we’ve made as a profession,” Terri says. “The AIA Materials Pledge challenges us to think about health, equity, and climate in every material decision we make. The AIA Framework for Design Excellence reminds us that design excellence is also about environment and social responsibility. FSC wood is a very tangible way to put those values into practice.”

Side Notes: Rethinking Campus, One Challenge at a Time

In the latest episode of Side Notes, BWBR’s Education Practice Leader Greg Fenton joins us to take a closer look at the ever-evolving higher education landscape. In a quick conversation packed with meaningful insights, we explore how design can widen the horizons of learning and breathe new life into college campuses, bringing inventive solutions that address education’s greatest challenges.

Challenges Produce Possibilities

To Greg and the education team, challenges aren’t a downside—they’re opportunities to solve problems and innovate.

For institutions with abundant but aging building stock, BWBR transforms outdated facilities to meet modern needs—often a win-win for both sustainability goals and financial limitations. Whether it’s putting laboratories in a building that has never housed the sciences or adapting a space for today’s technology-infused learning modalities, Greg calls these “wonderful challenges,” and ones that BWBR excels at solving. “We can help them with utilization, using data they may or may not have, and then understanding that they can adapt these buildings for new uses,” he says, “and helping them, at least at a preliminary level, to understand how they may need to invest going forward.”

The race to attract and retain students is another major difficulty facing schools. “The number of students is down. We’ve all heard that in the news,” explains Greg. However, working closely with institutions to create eye-catching and functional spaces that help boost enrollment numbers, make the most of funds, and plan accordingly for the future is something that he loves about higher education design.

Spaces that Shape the Next Generation

“We as architects and interior designers all have a passion to impact lives,” says Greg. Working with educational environments provides the opportunity to do exactly that. These formative spaces are where incredible learning and development take place thanks to teachers and educational professionals who share their skills with the next generation.

“Being part of that story and being able to help those people succeed in sharing their knowledge and expertise and allowing them to teach in the highest capacity continues to be a passion,” he shares. “The spaces that architects and designers design can influence and make a positive impact on one’s life, and it’s never not rewarding to see a positive reaction or give someone the best opportunity to succeed and learn and grow.”

Because of the nature of education, Greg says that the camaraderie and energy on these projects is particularly special. “People are passionate—and passionate about what they do—and all work towards the same thing.”

Inspiration Fuels Innovation

In order to spark excitement in the next generation of professionals and leaders, designers must always seek fresh inspiration for educational spaces. “Curiosity is a great thing,” says Greg. “Never stop asking questions. Keep asking the what-ifs.”

He draws inspiration not only from his own experiences, but also from the many institutions he travels to in his work. With a lens of curiosity, Greg and the team think through ways to reimagine and improve upon the spaces they see, “and then bringing those stories back, sharing them with other clients, or people in the industry, or even facility directors and campus engineers.”

Beyond seeking inspiration from other learning environments, he also takes insights from the way people live, work, and play to infuse fresh perspectives into educational facilities. “I get inspired when I see others trying new things, or in seeing things that I didn’t know and learning from them,” says Greg.

It only makes sense that as Education Market Practice Leader, Greg is a lifelong learner who brings an approach of curiosity and innovation to each project—whether it’s reimagining a historic hall for the needs of today’s students or designing a new facility that will stand the test of time for future learners.